By Anna Maszerowska, Anna Matamala, Pilar Orero
Audio description (AD) is a story approach which gives complementary information about the the place, who, what and the way of any audiovisual content material. It interprets the visuals into phrases. The vital functionality of this advert hoc narrative is to make audiovisual content material to be had to all: be it a guided urban journey of Barcelona, a 3D movie, or a Picasso portray. Audio description is without doubt one of the more youthful siblings of Audiovisual Translation, and it truly is epigonic to the audiovisual translation modality selected. This booklet is the 1st quantity at the subject written in English and it brings jointly a global group of prime audio description lecturers, students, and practitioners to handle the fundamental matters concerning audio description thoughts. utilizing one stimulus, Quentin Tarantino’s movie Inglourious Basterds (2009), the authors analysed what, whilst, the place and the way to audio describe. The ebook is written in a collaborative attempt, following a backside up method. the numerous concerns that surfaced within the means of the research have been grouped in broader different types represented within the ten chapters this booklet comprises. an exceptional instance of a profitable overseas collaboration, the quantity units a strong useful and theoretical framework for the various stories on audio description to come back sooner or later. contemplating the constitution of the person contributions, the publication isn't just orientated in the direction of the id of the demanding situations that watch for the describer, however it additionally deals an perception into their attainable options.
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Extra resources for Audio Description: New perspectives illustrated
A text, in the Hallidayan tradition, is a semantic unit of any length, and may be written, spoken, emailed, conveyed by sign language, etc. What makes it a text is the fact that it functions coherently in a given circumstance, and is held together 1. The semantic connections within a text are referred to as “coherence” and, of course, work together with cohesion to create meaning, but are not the concern of this chapter. Christopher Taylor by elements of cohesion. This holding together helps to create texture and is achieved through a consistent use of linguistic devices which will be explained below.
This is first manifest in the system of syntax, through which words are organised in recognizable patterns, classically in the form of sentences, where dependencies such as subject-verb and modifier-head can be identified. But cohesion transcends the single sentence and allows the reader/listener to access longer stretches of text. Without cohesive devices, the human mind would not be able to handle the concepts contained in text through memory and cognition alone. A text, in the Hallidayan tradition, is a semantic unit of any length, and may be written, spoken, emailed, conveyed by sign language, etc.
2013. ” Paper presented at the 4th Advanced Research Seminar on Audio Description (ARSAD), Barcelona, Spain, March 13–14, 2013. Pettitt, Bridget, Katharine Sharpe, and Steven Cooper. 1996. ” British Journal of Visual Impairment 14 (2): 48–52. 1177/026461969601400202 Remael, Aline, and Nina Reviers. 2013. ” Paper presented at the 4th Advanced Research Seminar on Audio Description (ARSAD), Barcelona, Spain, March 13–14, 2013. Romero-Fresco, Pablo, and Louise Fryer. 2013. “Could Audio Described Films Benefit from Audio Introductions?